Sunday, October 22, 2017
In Which I Review Once Upon a Time (7x3)
Seeds of Discontent
I suppose a story about resistance isn't totally apropos of nothing. Not in this day and age, not in this American political climate. The word "resist" and "resistance" have been bandied about so much over the past year that they've become a definitive touchstone of said year. When people speak of 2017, the word resistance will be woven into that narrative. Good fantasy, science fiction, or any sort of story, incorporates real life drama and issues and finds a way to speak some sort of truth about those touchy topics. Star Trek is probably the best example of this, from racism to sexism to ageism to elitism and all the -isms it used the genre of science fiction to parse out those topics. By using the term resistance so freely in this episode, OUAT finds itself in a precarious place. It has to find a way to both show and tell the resistance of Ella, Tiana and the others against Lady Tremaine and Victoria, while not making this resistance seem foolhardy, silly, or unimportant. The resistance here in the real world is too important for too many people and to see it reduced to a vague plot point only brought up as an afterthought is not a good direction to go in. That being said, it's also not necessary to have an over the top bad guy (or gal) who has no depth or emotion or character (the real resistance already has one of those sitting in the very real White House...) which is why it's nice that the show has done the smart thing and given their audience a nice, big, juicy bone to gnaw on instead of spinning their proverbial wheels on Lady Tremaine. I'll pause here to mention that making Lady Tremaine's motivation for everything--the Curse, if she cast it, her hatred of Ella, and her general bitchy demeanor--relate back to motherhood is wearisome. The show has done mothers to death from Emma, to Regina, to Snow, to Belle, and even to Zelena and those are only just the main cast of the past six years. Motherhood is one of those tricky themes that never quite lands as well as the writers want it to; sure, it had several bright and shining moments in season one but those moments became few and far between over the years as motherhood became the only way to redeem a lady villain. OUAT often sees women in two extremes, the much maligned Madonna or Whore trope. If you're a good person or on your way to becoming a good person, it's because you found a child/had a child/are learning to make up for lost time with your child. If you're still in villain mode, then you've likely severed all ties with your children and it is your children who are trying to save you. Lady Tremaine/Victoris has been like a classic fairy tale villain--mysterious but ultimately broadly drawn--until you learn that she's trying to save her fourteen year old daughter who's being kept "alive" inside a magical coffin. Too often, OUAT makes motherhood out to be the ultimate saving redemption for any and all women, which is more than just a little bit backwards, at the very least, and overtly misogynistic at the worst.
--Henry in his muddy red coat looks a lot like the coats Neal and Emma have worn in other episodes.
--Regina Mills: the character growth the show has mostly succeeded on. I loved watching her tell Ella that sacrificing one person for a whole cause doesn’t make it “right” and later telling Cinderella to forgive herself.
--Emma Booth’s character is very interesting! I get strong Rapunzel/Witch vibes from her and Victoria's final scene and I think Victoria is in the Rapunzel role, even though that doesn’t make a lot of sense. Sorta blows the hole in my running theory that Rapunzel is Wish Realm Hook's daughter, though?
--“The key to bringing down Victoria Belfry is a bearclaw!”
--A shocking number of people who did not care about the upkeep of the community garden are lined up to sign the petition to save it….
--How does one leave a letter inside a well….?
--UGH, the lampshade moment of Lucy’s “hey this is exactly like when you and Archie went down into the mines in Storybrooke! Remember that!?”
--"And here you are...in a bar..."