Sunday, June 18, 2017
In Which I Review Doctor Who (10x10)
It might be helpful, when discussing this week's episode, to think about it terms of contrast to last week's. There was so much done right in comparison to last week's wrong--or if not outright wrong, than at least underwhelming and rote. Like last week, the mission to parts unknown is spurred on by a mystery, though this one is (literally) grounded to Earth and comes from Bill's insatiable curiosity for the unknown and nothing stumbled upon on a way to a different mission. Pausing quickly, but this is one of the better through-lines of this season; Bill's entrance into the TARDIS and into the Doctor's life is not one of mystery. She isn't a puzzle to figure out, clues carefully hidden throughout the text, her every word and mannerism supposed to telegraph something unknowable. Bill is simply....Bill and much like Rose or Donna before her, her adventures with the Doctor come from her desire to learn and to know. The universe, all of time and space, is the mystery for Bill to puzzle out and it's to the show's credit that they let her reason things out on her own, not needing the Doctor's (glaringly male) hand to guide her into realizations big and small. For example, past companions have needed the Doctor to explain why everyone in space speaks English (they aren't, of course, but the TARDIS and the Doctor are able to auto-translate what babble the aliens or peoples of the past/future are saying); but Bill didn't get the same explanation. She figured it out on her own in a particularly funny Latin/English exchange with a Roman soldier. Since this review is all about the contrast from last week's episode, Bill's active role is a good one to focus on for the moment. Last week, Bill didn't have much to do and, in fact, my most major complaint about the episode was how it missed the mark on letting Bill and the Empress of Mars present a unique version of feminism on and off world. This week, while femininity isn't exactly on display in an obvious way, Bill's active role is. Bill sets off on her own, wanting to solve the mystery of the Roman legion before the Doctor can; when she stumbles (er, falls down a hole) into the remaining bits of the legion she does not simply wait for rescue but uses her time with the lads to tell them about the Doctor and his way of seeing the universe. When Bill realizes that her long sought after Romans are really just boys with swords, she takes charge, she tells them how they are going to get away from the monster. Bill has been one of the season's best surprises, turning Moffat's typical (and often maligned) female companion on its head. I've used the word refreshing on Bill more times than I can count but it bears repeating: she is a breath of fresh air in a show that can often get bogged down in formula.
--Just in case anyone thinks it's all sunshine and roses from me this week, the titular monster is one of the blandest and least developed of the era.
--As poignant and sweet as the episode was, the crow “Kar/Caw” thing was eye roll inducing. There’s a line, Doctor Who, between heartfelt and sickly sweet.
--Remind me to use popcorn as an escape mechanism if ever I’m in trouble.
--The Doctor not only lived in Roman times but he also juggled and was a Vestal Virgin, second class.
--“It’s called charm.” “I’m against that.”
--The final thread of this week's episode is the continuing Missy saga. I've already expressed misgivings about this plot because the moments of redemption or reflection on Missy's part are like this one here: kept and confined to the final few moments of the episode. Redeeming the Master/Mistress isn't something that should be left until the the end of an arc; this is a villain almost as old as the Doctor himself and there's a lot of ground to cover.
--However, there is a really nice push/pull between the Doctor and Missy; the former wants to hope that he might get his old friend back but the idea that she is pulling a long con on him fits with Missy's modus operandi more.
--Going along with that, though, it does look like Missy will be a focal point of the show for these last few episodes. Can the writers sell it? We shall see.